Bachelor’s Thesis by Merlijn Broersma
The Matrix trilogy visualizes the concept of an ideology veiling the “true reality” of a society in the form of a computer generated simulation called “The Matrix.” This simulation is “fed” to the imprisoned humans to prevent them from realizing that they “are no longer born,” but that they are “grown” into bondage by sentient machines. These machines started using the humans’ body heat and electrical activity to generate the required energy for their own subsistence after the humans scorched the sky to cut off the machines’ solar energy source.
The popularity of The Matrix (1999), The Matrix Reloaded (2003), and The Matrix Revolutions (2003) has made the trilogy widely studied by literary, philosophical and religious scholars. Mattias Ågren demonstrates the trilogy’s popularity by analyzing The Matrix for its allusions “in four works of contemporary Russian prose fiction” (249). In this, he argues that “references to The Matrix are made in order to benefit from the film’s eclectic mythological concepts and transpose them to the literary realm” (Ågren 249). Alternatively, Mark Gallagher has studied the films for their stereotypical representations of masculinity, and Cerise Glenn and Landra Cunningham used The Matrix trilogy to “[formalize] a definition of the magical Negro” to demonstrate how it “reinvent[s] traditional black stereotypes of mammy, jezebel, and Uncle Tom” (135). In contrast to these one-sided literary analyses, Jason Haslam argued that “simply seeing the film as such a reproduction of [white male] dominance would miss out on some of the nuances that are created by its explicit mediations on the nature of subjectivity and of ideology ‘itself’” (94). Haslam starts to pick up on the trilogy’s philosophical references and these were elaborately studied in a collection of essays listed in Taking the Red Pill: Science, Philosophy and Religion in The Matrix (2003). This book analyzes the film in relation to the “nature of reality,” “postmodernism,” “Buddhism,” “mythology,” “human freedom,” “artificial intelligence,” “simulation,” and religion (ix-x). Slavoj Žižek, in turn, critically studied The Matrix for its philosophical inconsistencies. Žižek argued that the paradox is in the fact that “the desert of the real” that Morpheus shows protagonist Neo is not “the ‘true reality,’ but the void which makes reality incomplete/inconsistent, and the function of every symbolic Matrix is to conceal this inconsistency” (1). These inconsistencies are elaborated upon by Chris Falzon who studies the dialectic interaction between philosophy and film centered on The Matrix. In this he discusses how “the film offers a vision of escaping the flesh, of leaving the body behind” into virtual reality in a similar way to how philosophers Plato and Decartes, but also the theologians Augustine and Aquinas, seemed to be obsessed with such “escapist fantasies” (Falzon 109). For all these philosophers, transcending into the immortality of the self as the “mind” or the “soul” is prevented by the self being trapped inside the human body and the transcendence could therefore only succeed by dying (106).
What scholars have not done, interestingly, is to take the part of Neo taking “the red pill” literally. The first Matrix film visualizes that the veiling simulation that covers “the desert of the real” can be uncovered by swallowing the red pill. Literally, it would thus suggest that there exists a pill–or a particular substance encapsulated in a pill–that shows reality in its “true” form after consuming it. Resistance to the enslaving machines leader Morpheus gives Neo the opportunity to see the complexity of their multilayered reality firsthand. Morpheus explains Neo that “this is your last chance, after this, there is no turning back. You take the blue pill, the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill, you stay in wonderland, and I show you how deep the rabbit hole goes.” The depth of the “rabbit hole,” a reference to Alice’s Adventures in Wonderland (1865) that symbolizes the portal to the fantasy “wonderland,” constitutes in The Matrix the astounding reality that Neo was unable to experience thus far. After swallowing the red pill, Neo goes through a process of “rebirth” where his sense of “reality” as he knew it is stripped down until only the naked “true reality” remains.
The Matrix trilogy, so far, has been widely studied for its philosophical and religious references. However, in this thesis I will offer a literary analysis of The Matrix trilogy in which I shall argue that the trilogy’s significance lies not in its philosophical and religious references, but in its visualization of the psychedelic experience as an aid to reach beyond what Marxists call “false consciousness” to experience reality in its “true” form. To analyze the psychedelic experience, I will compare Aldous Huxley’s transcendental mescaline experience described in The Doors of Perception (1954) to contemporary empirical studies on psychedelic drugs. To illustrate the contrary of a psychedelic experience, I shall argue that the legal “blue pill” drugs that withhold transcendence mimic Huxley’s “soma” drug that sustains his dystopic Brave New World (1932). In this, I argue that The Matrix films both implicitly and explicitly criticize the US domestic policy of the “War on Drugs” by demonstrating that the policy’s criminalization of psychedelics on account of “protecting” its citizens actually prevents them from transcending beyond the ruling ideology that prohibits certain drugs but allows for others. Transcending the ruling ideology, as depicted in The Matrix, facilitates thinking and reasoning beyond previously assumed boundaries that, in effect, can serve a beneficial role for both mental health and intellectual thought. In line with the recent upsurge of positive empirical studies on psychedelics as medicines and nootropics, The Matrix trilogy thus plays an important cultural role by visualizing the veil of ideology and by demonstrating the benefits of transcending it.
Chapter 1 – Psychedelics, Marx, and The Matrix
The Matrix visualizes altered reality experiences that both implicitly and explicitly refer to psychedelic drugs. According to one definition, psychedelic drugs are those “which, without causing physical addiction, craving, major physiological disturbances, delirium, disorientation,
or amnesia, more or less reliably produce thought, mood, and perceptual changes otherwise rarely experienced except in dreams, contemplative and religious exaltation, flashes of vivid involuntary memory, and acute psychoses” (Grinspoon and Bakalar 9). Another simply states that, “psychedelics affect every aspect of our consciousness” and consequently, they alter perception in such a way that the consumer experiences–just as in dreams–a different form of reality (Strassman 40). In effect, sensual input is experienced differently, and since it feels different from ordinary reality, there are no fixed preconceived interpretations connected to this sensual input yet. Everything looks, feels, sounds, smells, and tastes differently, and with some psychedelics, such as LSD, there are even experiences of synesthesia where senses “blend” with each other. Consequently, a concept such as time can be felt as being sped up or slowed down, space may seem larger or smaller, and straight forms may seem roundish or vice-versa. The changes in these concepts make, in effect, a natural law such as gravity feel as though there is nothing “natural” (fixed) about this law. Currently, there are many psychedelic substances, and they all enable some of the aforementioned experiences in some degree. In 2010 there were approximately “350–400 psychedelics we know of,” but the most potent and famous ones are LSD; mescaline; psilocybin, to be found in a variety of “magic” mushrooms and truffles; MDMA, the psychedelic compound in ecstasy pills; ketamine, also known as horse tranquilizer; DMT, the psychedelic compound in the Amazon ayahuasca brew; and to some degree even Cannabis (Luke). Interestingly, the first reference to psychedelics in The Matrix comes early in the film already when Neo’s friend, Choi, asks him if something is wrong. Neo replies: “You ever have that feeling where you’re not sure if you’re awake or still dreaming? And Choi answers: “mmm all the time, it’s called mescaline, it’s the only way to fly.” As a result of the altered sense of gravity induced by the psychedelic effect of mescaline, an experience that feels like flying is actually not unlikely to occur. Interestingly, this concept is also visualized when the resisters and the machines hack into the Matrix and jump so high that it seems that they are flying. Moreover, at the end of The Matrix, Neo literally flies away “promising ‘a world without rules and controls, without borders and boundaries, a world where anything is possible.’ His flying, like his words, suggest that humans need not be bound by their physical bodies” (Falzon 105). As Falzon exemplifies, The Matrix visualizes, just like psychedelics and other dreamlike states induce, a transcendence of bodily limitations.
“What we were trying to achieve with the story overall was a shift, the same kind of shift that happens for Neo, that Neo goes from being in this sort of cocooned and programmed world, to having to participate in the construction of meaning to his life. And we were like, well, can the audience go through the three movies and experience something similar to what the main character experiences?” (Poland, italics added)
The Wachowski brothers succeeded very well in their attempt, and started Neo’s “shift” early with Trinity explaining: “it’s the question that drives us, Neo. It’s the question that brought you here. You know the question, just as I did.” Neo responds: “What is the Matrix?” When Neo, just like the audience, has seen what the Matrix is, it is as Thomas Wartenberg argued that “once we accept the possibility of the matrix doing what it does, we have to wonder whether we are not in the situation of the inhabitants of The Matrix” (150). In this, he explains that “The Matrix can be seen as doing something distinctively philosophical, namely unsettling our established habits of belief and action, getting us to call into question our taken for granted assumptions” (qtd. in Falzon 100). This is similar to what Descartes does by “making us think about our own situation, bringing us to question how ordinary assumptions about the world and what we think we know about it” (Falzon 100). Essential for this demystification process is as Morpheus explains Neo that “no one can be told what The Matrix is, you have to see it for yourself.” Just like telling someone to question all his beliefs to realize that “true” reality is simply subjective and can be perceived in various forms and thus constitutes of multiple “layers,” is far less effective than the process of a firsthand experience of such a person to come to this realization.
Chapter 2 – The Red Pill
Aldous Huxley’s moments of transcendence during his mescaline trip resemble a firsthand direct experience of naked reality. Huxley writes in The Doors of Perception about various instances of transcendence that make him aware of elements of “suchness”–“the infinite value and meaningfulness of naked existence, of the given, unconceptualized event”–expressed in nature and captured by various artists (19). Neo-Marxist Louis Althusser criticizes Marx’s concept of demystifying the layer of false consciousness to see reality for what it truly is as being an impossible process. Althusser argues that “ideology represents the imaginary relationship of individuals to their real conditions of existence” and according to Althusser, it is impossible to make sense of these “real conditions of existence” without ideological concepts that give it meaning (294). Thus, in Althusser’s theory, stripping away the false (ideological) layer of consciousness would simply result in creating a new system of meanings (ideology) to be able to experience the real conditions of existence again. In this theory, experiencing “naked” reality would be impossible. Interestingly, Huxley’s mescaline induced state of being could arguably be called “ideologically free.” The things he sees–often distorted–often do not entail any conceptualized meaning yet. Huxley writes that he faced “a Last Judgment which after a long time and with inconsiderable difficulty, [he] recognized as a chair–I found myself all at once on the brink of panic” (43). Consequently he explains that “the fear, as I analyse it in retrospect, was of being overwhelmed, of disintegrating under a pressure of reality greater than a mind, accustomed to living most of the time in a cosy world of symbols, could possibly bear” (Huxley 43). Thus during his mescaline experience, Huxley perceives naked reality–“suchness”–without any system of meanings to make sense of it in symbolic terms. In effect, Huxley was confronted by the “last judgment” and although his experience was of “intenser beauty and deeper significance,” it did put him in a moment of psychosis (43). Huxley explains various other moments where he experiences the suchness of material existence: he finds it in a flower, the drapes of Judith (painted by Botticelli), van Gogh’s chair, and Vermeer’s paintings, but during these experiences, he feels nothing but awe for “this cleansed perception” (31). It is thus possible–under the influence of a psychedelic–to be in a state where the void of reality is experienced directly.
The “reducing valve” is shaped in such a form that is most effective for survival, however, by-passing the valve can be beneficial to relativize everyday hardships. Huxley explains that “most people, most of the time, know only what comes through the reducing valve and is consecrated as genuinely real by the local language” and that while schizophrenics are excepted, “in others temporary by-passes may be acquired either spontaneously, or as the result of deliberate ‘spiritual exercises,’ or through hypnosis, or by means of drugs” (17). The reduced valve is ideal for survival on this planet because it gives everything meaning and thus allows for an interpretation of the environment. In our Western society, we have gotten really good at conventionally conceptualizing our reality to our advantage. Westerners have property secured which, in effect, gives the assurance of a roof above one’s head and food and water within survival’s reach. Furthermore, we can survive on any part of the planet and be connected everywhere while we even have our human and civil rights protected in treaties that are enforced by global organizations. There are major downsides to the shape of this valve though, the survivability is extremely outbalanced and happens at the cost of many unprivileged ones. Furthermore, the consumerist production that is supposed to bring even more convenience into our lives, also brings a lot of pollution that slowly extinguishes the flora and fauna of nature. In this overemphasis on “survival” on this planet, our science overlooks and even demonizes the fact that we are not solely highly advanced animals, but also very spiritual entities. Because only in our spiritual states, “as pure mind can we behold the transcendent Forms, things in their purest form” (Falzon 106). As argued before, the experience of material existence in its purest form allows for demystification that, in effect, allows for the insight that everything that constitutes reality is simply a concept relative to all other concepts. This insight is depicted in The Matrix when Neo asks “why do my eyes hurt?” and Morpheus answers: “you’ve never used them before” when he is freed from his simulated life. The “hurtfulness” of true reality is also captured by Huxley who writes “anything rather than the burning brightness of unmitigated Reality– anything!” (44). The naked reality might be shocking for a brain that is used to the symbolic valve at first, however, when the brain gets used to it, reflecting back on past hardships with the “cleansed perception” allows to put them in perspective. Negative feelings around these experiences are then completely relative to the inner state and thus completely subjective. In effect, alleviating the hardship and being happy merely requires a more positively accepting attitude towards the memory, instead of escaping the memory by actively trying to become happy in other ways.
Chapter 3 – The Blue Pill
Contrary to mind revealing red pill drugs, Huxley’s “soma” numbs the brain down to such an extent that it withholds it from thinking critically and hence mimics the “blue pill.” To solve “‘the problem of happiness,’–in other words, the problem of making people love their servitude,” Huxley writes in Brave New World (BNW) that “since reality, however utopian, is something from which people feel the need of taking pretty frequent holidays, a substitute for alcohol and the other narcotics, something at once less harmful and more pleasure-giving than gin or heroin” is a necessary precondition (xxiv). To sustain his dystopic society, Huxley created “soma” which allows you to “take a holiday from reality whenever you like, and come back without so much as a headache or a mythology.” It is designed to have “all the advantages of Christianity and alcohol, [but] none of their defects” so that BNW’s citizens will have both their spiritual and their sedative needs satisfied (Huxley 81-82). Protagonist Bernard Marx describes his mandatory every two weekly Solidarity Service during which he and eleven others partake in a ritual under the influence of the “euphoric, narcotic, [and] pleasantly hallucinant” soma (81). During the Service, the twelve participants sing and dance on drum music for the “Greater Being” to transcend their egos and become “Twelve-in-One” so that “I am you and you are I” (114-15). Bernard, however, is the only one who does not hear the Greater Being calling for him, and neither does he feel himself fusing with the other eleven into one. Bernard is highly discontent with the globally controlled world that he lives in and rather wants to be free to be different instead of being forced “to be part of the social body” (124). When talking to his date Lenina he tells her “I’d rather be myself … myself and nasty. Not someone else, however jolly” (123). Lenina in response tells him that she does not understand him and asks “why you don’t take soma when you have these dreadful ideas of yours. You’d forget all about them. And instead of feeling miserable, you’d be jolly. So jolly.” (125). It appears thus, that soma is like the blue pill, it makes you forget about your problem and be jolly instead. Soma has a transcending element that makes you connect to other people more, though, the transcendence is in such a way that it reinforces the oppressing controlled dystopia instead of allowing you to transcend your ego to be able to reflect critically on your situation. In effect, soma keeps you within the dominant ideology in a similar way that alcohol and nicotine do, but without the negative side effects. The latter two do allow for a moment of relaxation that makes social interaction easier, but they do not contain a psychedelic compound that facilitates a “cleansed perception” that allows for demystification.
To sustain a dystopic society that is completely geared towards consumption, it is crucial to have a drug that withholds critical thought. In Huxley’s eyes, a “really efficient totalitarian state would be one in which the all-powerful executive of political bosses and their army of managers control a population of slaves who do not have to be coerced, because they love their servitude” (xxiii). The Director of BNW’s “Central London Hatchery and Conditioning Centre,” clarifies that “liking what you’ve got to do,” is “the secret to happiness and virtue (38). Conditioning to make its citizens like what they have got to do is done during the fetus phase already. Every person that is “hatched” in the test tubes gets a certain amount of oxygen “fed” to create castes from Epsilons (least amount of oxygen) to Alphas (most amount of oxygen). Besides the caste conditioning, humans are conditioned towards their predestined jobs. In the Hatchery and Conditioning Centre it is explained that some of the babies that are predestined to become miners, spinners, or steal workers in the tropics are conditioned to “thrive on heat” (38). Moreover, some babies are predestined to do “repairs on the outside of a rocket in mid-air” (Huxley 39). These babies get their nutrition halved when they are upright, but get twice as much nutrition when upside down. In effect, “they learn to associate topsy-turvydom with well-being; in fact, they’re only truly happy when they’re standing on their heads” (39). In addition to fetus conditioning, BNW’s citizens get sleep conditioning (hypnopaedia) during which certain phrases are repeated for thousands of times until they feel as eternally rational truths. One of these phrases of hypnopaedic “wisdom” is that “wheels must turn steadily, but cannot turn untended. There must be men to tend them, men as steady as the wheels upon their axles, sane men, obedient men, stable in contentment” (68-69). Similarly, in the Matrix are the wheels–the sentient machines–fueled by humans who are sanely, obediently, and contently (since they do not know better) living inside a simulation. Another expression of hypnopaedic conditioning presents itself when the Director reminisces about a girlfriend lost in a storm and says that “it upset me very much at the time. More than it ought to have done, I dare say. Because, after all, it’s the sort of accident that might have happened to anyone; and, of course, the social body persists although the component cells may change” (130). Everything is in service of “the social body” and even the “fact” that “everyone belongs to everyone else,” is created so that sexual desire can steadily be satisfied by polygamy (66). Monogamy would keep the pressure of sexual desire too high and, just like thinking critically, would result in an unstable society which is the ultimate deathtrap of consumerism.
Chapter 4 – The “War on Drugs”
The “War on Drugs” is fought by the USA on account of protecting its citizens, however, the policy rather reinforces governmental control than that it leads to the wellbeing of the American people. The “congressional findings and declarations” of the “Controlled Substances Act” include that “many of the drugs included within this subchapter have a useful and legitimate medical purpose and are necessary to maintain the health and general welfare of the American people and that “the illegal importation, manufacture, distribution, and possession and improper use of controlled substances have a substantial and detrimental effect on the health and general welfare of the American people.” Though these legalized drugs might “have a useful and legitimate medical purpose,” they only cure on a superficial level; instead of treating the cause of the illness, they merely cure the ill expression of the cause. In effect, there is no medicating element that forces the ill person to reflect on his situation to find the source (personal or environmental) that causes the illness. Interestingly, the illegal psychedelic substances that supposedly “have a substantial and detrimental effect on the health and general welfare of the American people,” do have this self-reflecting effect due to their mind revealing compound. Moreover, researcher David Luke explains that there is an instance where someone even survived ten thousand doses of–supposedly “detrimental”–LSD. The prohibition of the substances has led to “street myths” that are perpetuated by the media and consequently resemble BNW’s hypnopaedic conditioning. Often these media sensationalize their product to sell better, which results in a distorted image revolving around these illicit substances. Carl Hart–who grew up in the ghetto and became a neuropsychopharmacologist–explains that these myths “had originally misled and misdirected me. Some of that, as we shall see, may ironically have helped me at certain times. But more often, it was a distraction, one that prevented me and so many others in my community from learning how to think critically” (Hart 8). Hart saw how his family, friends, and neighbors suffered from the notorious pitfalls of the ghetto where shoplifting and unplanned pregnancies were common and where marriages broke, children were displaced from home, and people were shot. Virtually all these pitfalls were ascribed to the “deadly” and “addictive” drug crack cocaine by the War on Drugs policy, and interestingly, Hart admits that he bought right into the demonizing rhetoric that was popularized by President Ronald Reagan and continued by his successors (16). Consequently, public opinion was redirected from these pitfalls as being related to poverty–influenced by racism and classism–towards a common enemy that was destroying the American society from within. Instead of victims of poverty, crack consumers became criminals and could henceforth be taken from the streets to be put safely away in prison. Consequently, the prisons overloaded, and henceforth, drug criminals were not learning to cope with the roots of their problems to be prepared to enter back into society, but were simply separated from the preferred Americans. Those are the people that are not seeking refuge from everyday hardships in illicit substances, but rather adhere to the culturally accepted options that might include sugar, cacao, alcohol, tobacco, or even prescribed opiates, but certainly cannot include marijuana, crack cocaine, or MDMA.
Chapter 5 – Transcending Boundaries
The Matrix depicts that transcending the ruling ideology facilitates in thinking and reasoning beyond previously assumed boundaries. Cynthia Freeland criticizes the movie for “feed[ing] escapist fantasies of a mental reality where the elect few are unencumbered by rules,” but since the Matrix is such a perfect simulation, the brain will make the experience seem real rule-bound nonetheless (214). Consequently, the physical body will be limited and damaged when the mind thinks so. One is thus not completely unencumbered by rules when still dependent on physical well-being, however, since it is only the brain that is hacked into the Matrix, thinking something will result in doing it. Thus when you are able to think without boundaries, you are able to act without them as well. In the beginning of the movie, Neo is still limited by his ideology and whereas Morpheus believes Neo to be “the one,” Neo says “this is insane, why is this happening to me? What did I do? I’m nobody. I didn’t do anything. I’m gonna die.” Though, when Neo starts believing, and thus thinking he is “the one” which, in effect, leads him to reason from the fact that he is “the one,” he becomes an extraordinary martial-artist that is able to fly. Also, when Trinity admits and expresses her love for Neo when he dies, she truly beliefs the Oracle’s prophecy that she would fall in love with “the one” and, in effect, Neo–as the invincible “one”– resurrects from death. Thus when they let go of their ideological boundary in which coming back from death is impossible, it becomes possible.
The boundary absolving–demystifying–effect of psychedelics can serve a beneficial role for both mental health and intellectual thought. Psychologist David Luke explains that “psychedelics facilitate disinhibition, loosening of the ego, and access to the unconscious and repressed memories.” The latter is effectively capitalized upon during MDMA assisted psychotherapy research with people suffering from Posttraumatic Stress Disorder (PTSD). Rick Doblin, founder of MAPS–Multidisciplinary Association for Psychedelic Studies–explains in “The Joe Rogan Experience” podcast that, the test subjects are only half of the time in contact with their psychotherapists. The other half is spent inside their own “trip” where they listen to music, reflect on themselves, and recover repressed memories. During this session there is no specific order and this freedom is given so that the patients will be guided by their own unconscious. Some will go to the trauma directly, while others go to childhood memories to build strength first. The cure is in the fact that MDMA causes serotonin–the peaceful happy hormone–to be released in the brain, so that patients can access repressed traumatic memories without suffering from too much pain. Consequently, the fear of the pain connected with the memory alleviates so that the trauma can be reflected upon, but still remains as something that belongs to the past. In effect, the neural patterns in the brain will reconfigure according to the newly formed emotional associations with the memory that is induced by the peaceful undertone of MDMA. Similarly, a 2015 US national survey found that “lifetime classic psychedelic [LSD, psilocybin, mescaline] use was associated” with lower incidence of “psychological distress and … suicidal thinking … whereas lifetime illicit use of other drugs was largely associated with an increased likelihood of these outcomes” (Hendricks et al. 280). Moreover, Luke explains that psychedelics can also be valuable on an intellectual level. He explains that “psychedelic substances such as iboga, psilocybin, ketamine, and cannabis seem to be related to [neurogenesis], the production of new brain cells” (Luke). In addition, people on psychedelics report that they feel more drawn to nature as a result of feeling “a greater sense of connection with the outside world, with plants and animals” (Luke). These people realize that being in nature can have a soothing effect compared to–often stressful–urban environments and Luke explains that “schizophrenia occurs mostly in urban, more developed environments,” therefore, a “reconnection with nature can be probably quite useful as a treatment in itself” (Luke). A peaceful environment allows for both intellectual and psychological breakthroughs because a more relaxed state of mind facilitates a less judgmental–cleansed–perception in which creative thinking thrives.
Thus, both The Matrix trilogy and Huxley’s works play important cultural roles in line with the recent upsurge of empirical studies on psychedelics as medicines and nootropics. By visualizing the veil of ideology and by demonstrating the benefits of transcending it, The Matrix forces the spectator to wonder whether he is not in a similar situation as Neo and whether the “red pill” actually exists. Psychedelic drugs that the red pill alludes to ought to be viewed like a tool, and just like other tools such as cars, knives, computers, or medicines, there are various dangers that come along with improper use. Because the consumer of a psychedelic transcends his everyday experience of reality and, in effect, his everyday ideology, he is free to create his own morals, rules, and interpretations of his surroundings. In some cases this can lead to a total rejection of the world around him which can be experienced both as a “bad trip” and as “a state of enlightenment.” An extreme case like Charles Manson (“father” of the Manson Family), however, occurs when someone gets carried away in his own beliefs. He might have felt both at the same time–a state of enlightenment while rejecting the world around him. However, just because a tool can be dangerous with improper use, does not mean it has to be illegal altogether. Similarly, tools such as the aforementioned cars, knives, computers, or medicines can be very dangerous in the hands of people with harmful intentions, but particularly useful for most people’s daily lives. Psychedelic drugs are not substances that people should think lightly about, and simply take at random occasions to “maximize gains,” just like people should not use cars for every little distance they have to cover. The environment, the psychological state, and the intention in which the consumer goes into a psychedelic experience are very determinate factors and should be prepared well. In tribal civilizations this environment was often shaped in the form of a ritual that could take days at a time, but in our contemporary society the environment can be a psychotherapy session guided by an expert, a calm place in nature, or simply one’s own home. This tempering instead of maximizing aspect is sadly in sheer contrast to the capitalistic tendency to “sell” experiences. Instead of guaranteeing success, Huxley explains that “the full and final solution can be found only by those who are prepared to implement the right kind of Weltanschauung by means of the right kind of behavior and the right kind of constant and
unstrained alertness” (32). For him, “mescaline can never solve that problem: it can only pose it, apocalyptically, for those to whom it had never before presented itself” (32)
A psychedelic, thus, requires for a dynamic interaction with the substance, the environment, and the subconscious. Just like Ellie During explains that The Matrix “asks for active engagement,” and that Marx calls for an active demystifying to get rid of oppression, psychedelics give you the opportunity to actively create your own reality that “can turn out to be as supple as the Matrix” (132-149). The fact that the American government demonizes a change of consciousness induced by drugs indicates that there is a resilience to understand the reason why people want a change of consciousness in the first place. Part of it has to do with a longing for sedation from everyday hardships and boredoms, but also with the fact that many people feel a need to transcend beyond their own ego to become part of a larger social body. Some find this in religion, or politics, but the problem with these is that these social bodies do not promote critical thought to give power back to the individual. Just like a Marxist revolution that aims to redistribute the power over the masses, psychedelic drugs and other meditative states of mind allow the masses to seize back the power of creation. Just like God simply speaks a word to create a concept that consequently “spawns” into reality as he did with earth, does a cleansed perception allow to create any meaning the individual chooses to fill the void of reality with. The individual becomes “the one”–divinely creative. Perhaps the “religious” Matrixism cult is not that far off in their sacramentalized psychedelic ethos after all.
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